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Characters: Gay by nature or choice?

Characters: Gay by nature or choice? by Author Paul Mosier

The following is my response to an email from a woman who kindly beta-read the novel I have recently completed– the middle grade “Summer and July.” Her feedback was thoughtful, intelligent and complimentary. To my surprise she said she enjoyed it in spite of her being ethically opposed to the nature of the love presented in the story, and her worry that my story would contribute to the “normalization” of such love. Below is my response to her. I omit my opening remarks.

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Notes on your notes: The “men in gray suits” is actually one of the several colorful terms in surfer lingo for sharks. Another good one is “landlord,” which is their term for great white sharks. Those don’t appear on the beaches of Santa Monica, or they would have been a good inclusion. But since that didn’t come through to you as a reader, perhaps I need to expand on that exchange. “Noah” is another term for sharks, from the Aussie cockney rhyming scheme of “Noah’s Ark” rhyming with “shark.” Similarly Aussie surfers call Americans “seppos” because “Septic tank” rhymes with “yank.” It’s kinda bizarre.

I, too, was happy with Summer’s method of giving herself permission to feel something other than happy, enthusiastic and optimistic– putting on Juillet’s clothing and makeup. I didn’t plan it– I don’t plan anything in writing, really. I don’t think I am capable of doing something as artful or lovely as that, but as a servant of the muse, I think I do a pretty good job of staying out of her way. I don’t feel like I’m the creator of a story so much as I am the first person to experience it.

I feel the same way about characters. I don’t expect that I’ll change your mind about seeing same-sex love as being somehow wrong, but I’ll make my argument anyway. I have never designed a character, and if I did I think they’d be wooden or cliched. I feel like they are introduced to me by the universe, and I disagree with writers who think that I as an author need to know my characters completely. In fact I feel like I only know them as much as they are willing to reveal themselves to me. An interviewer once asked if I ever found myself disappointed when I finished writing a novel and realized that my characters weren’t real, and my reply was “I don’t think I agree that they aren’t real.”

But I didn’t set out to write a same-sex love story. I think that every story is a love story– the only question is what kinds of love. Summer and July was born from the sense of place of a seaside town with an ice cream shop and boogie boarding, then the characters walked into the scene. But I don’t feel like I determined their sexual orientation any more than I designed the bluebird metaphor. Which I did not design. I’m just witness to it. My understanding of Juillet and Summer, watching them act, is that they are not necessarily drawn exclusively to their own gender. It seems like their affection is specific to the individual case– for Juillet, Summer, and for Summer, Juillet. They’re probably both surprised that their first kiss was with another girl. They’re both young and figuring themselves out.

I don’t choose the sexual orientation of my characters, but if I did, I wouldn’t apologize for representing same sex loves as being as legitimate and potentially beautiful as heterosexual loves. And I would suggest that maybe instead of worrying about texts that “normalize” same sex loves, perhaps you should worry about texts that vilify or demonize love between two men or two women, which has always existed. It’s hard for me to even imagine what motivation lies behind such persecution other than some antique need for maximum regeneration of the species to swell the ranks of armies and churches. It is interesting that you use Plato to support your argument about our need to use care in what we teach our young, when Plato said that the only true type of love was that which existed between two men. Of course I disagree with Plato in this respect, as I think that the love between a man and a woman can be pretty profound, too.

I’m sure that– while gay people have appeared in previous novels of mine– Summer and July will open me to a new level of potential criticism and rejection for elements other than my ability to tell a story. I didn’t wish for this, and it doesn’t represent any kind of bravery on my part– that distinction is reserved for those who wrote about the love between members of the same sex in decades past. I’ve got a left-handed female character named Lefty in my work-in-progress, but likewise people in centuries past have fought the stigma of people who find themselves preferring using their left hands, so there is no heroism for me there, either.

Happily, though thinking ill of same sex love still exists in the world I live in, having a contract with a Big Five publisher I have learned that, generally, in the world of children’s books, publishers have moved beyond the argument. Though opposition to same sex love still exists, my editorial group does not wish to dignify such opposition with space on the page. Nobody in a middle grade book written by me and published by my publisher is going to look askance at two girls or two boys falling for each other.

For me It was easy to make the “normal” heterosexual choice. Girls and women have always been attractive and fascinating to me. Though I didn’t set out to write a story featuring a same-sex love, the idea that maybe some kid will fail to kill him or herself because I didn’t resist presenting a story in which affection and romantic love between two members of the same sex is pretty much the most adorable love story ever– I’ve got to say I like the idea of being on that side of the equation, and of history. And all I have to do is let the characters be who they are. Take them as they are, and love them as they came to me. I hope you’ll consider this position.


Want more from Paul? You can check out his books on Goodreads HERE.

Find Paul on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew with the express permission of Paul Mosier.

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Ten Things That Help Me Write

By Bethany Wicker

Just like any other author, I have my needs while writing. It’s easy to just sit down and start writing, but these ten things help my thoughts flow and the stories progress.

The first item is my Computer. This is for the most obvious reason that all of my stories are on my computer. My biggest fear is dropping it before I’ve backed up my work, so I try to leave it in one place as often as possible. This actually happened to me once before and is the reason it took so long for me to write Dark Fire after Dark Lightning was published. I’d lost my initial copy and felt so upset that I couldn’t write on it until about a year later.

The second thing is Coffee. I don’t always have to drink it while writing as long as I’ve had my morning cup. Coffee is something I love, but sometimes if I indulge in more than one cup it keeps me up at night. For that reason, I try to limit myself (doesn’t always happen).

The third item is my Phone. I’m a compulsive email-checker and am always checking my email. I have this irrational fear that I’m going to miss out on something because I didn’t check my email in time.

The fourth thing is a Notebook. This is simply to write down ideas that I’m not ready to work on or to keep notes of things that I sometimes forget. The color of eyes or hair of minor characters for example.

The fifth item is a Pen. This is needed to jot things in my notebook. 😛 I like the way pen ink looks on paper better than pencils so it’s rare that I use pencil over pen. Extremely rare.

The sixth thing is a Movie I’ve already seen playing in the background. I do this instead of playing music like other authors. It’s my personal preference that helps me concentrate. Lately, I’ve been stuck on the new Beauty and the Beast.

The seventh item is Snacks (Yum!). Who doesn’t need that little boost of energy while doing something? No particular type of snack either because it depends on what I’m in the mood for.

The eighth thing is Water. It’s very important to drink lots of water and stay hydrated throughout the day. I avoid soft drinks and try to stick to water as much as possible. It just makes me feel better, healthier and helps my brain keep going.

The ninth item is my Planner. That way I can keep track of tasks like deadlines or promotions and can add things as they’re needed.

The tenth and final thing is Henley napping ❤ (my daughter). It is so hard to write while she’s awake since she needs so much attention, especially now that she’s teething. So, as much as I love her, I get the best writing time in while she’s sleeping.

There you have it. The ten things that help me write the most words in one sitting.


Don’t forget to check out our other posts HERE

See Bethany Wicker at the Young Adult Author Rendezvous HERE.

Posted by Michelle Lynn.

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Tools of the Trade

First posted at Young Adult Books Central.

By Michelle Lynn

A painter has their paint brush. A sculptor has their clay. What does this have to do with indie publishing? Just like that painter and that sculptor, a writer is an artist. Artists create. They create beauty, tragedy, the illusion of reality. They show us how things are and how things should be.

As creators, we must use what is available to us – tools of the trade. A lot of this can be said for both indie published authors and traditionally published ones. No matter the size of the publishing house you have behind you, there are certain things you must do for yourself. Writing, for example.

Still, there are some tools that will be used more by indies who must make their own advertising graphics, choose their own Amazon key words, and handle their own marketing. I’ve listed seven of my favorite “brushes” for our form of artistry.

  1. ScrivenerEvery author no matter their publishing path can benefit from this tool and that’s why it’s at the top of my list. It isn’t free, but it is very affordable. Scrivener is a writing program. It’s used in the same way many people use Word, but there are benefits. It’s a bit more stripped down than Word, simple and easy to use. The best part about it is the way it organizes your book. These novels we write can reach into the hundreds of word pages. Have you ever forgotten something you wrote and had to scroll through the entire document to find it? In Scrivener, documents are divided into chapters that you can name and move around at will. They also provide character building templates so you never again have to wonder what color eyes you gave a character in some previous chapter.
  2. Canva Photoshop is expensive and kind of confusing if you ask me. Canva is an online tool that allows you to import images (or buy stock photos from them) and manipulate them, changing colors and adding text, to create ads or promotional images. It’s easy to use even for an image illiterate like myself. I’d be lost without canva.
  3. KDP RocketAre you wanting to write a book that has a jump start in popularity? This is called writing to market and many indie authors are doing it. KDP Rocket is a program that helps identify trends and fads in the marketplace to allow you to jump on board. That’s only one of its many features. It can also help determine which keywords would give your book the largest boost. And have you ever wondered about the kind of money certain books are bringing in? Now you can see exactly how each book in the Amazon marketplace is doing to help you decide which genre you’d like to jump into. It can be fun. The program isn’t free, but it can be worth it for indie published/ self-published authors.
  4. Social media management programs – there are many of these including Buffer andHootsuite. As authors, we’re expected to maintain a presence on so many different platforms that if we aren’t careful, all of our valuable writing time will be sucked away. These programs streamline social media. They allow you to post the same thing across different platforms with a few clicks. You can plan ahead, down to the minute, your posts to Facebook and Twitter. I can schedule an entire month’s worth of posts in about an hour. The small fee is incredibly worth it.
  5. The Emotion Thesaurus – Really, I could put the entire series and the connected website here. The Emotion Thesaurus is a book that has a page dedicated to any emotion you can imagine and describes things like body language of feelings associated with it. The series also contains books for character traits and settings. The website connected to the books is called Writers Helping Writers and has more resources in one place than you can even imagine.
  6. Calibre A completely free ebook management program that I always find some use for. As an indie, you will most likely be sending out your own review copies. Calibre allows you to convert them to any format that is requested from you so they can be read on any device. This has been helpful to me because I also help other authors by reading their work. Many of them send it in Doc format which doesn’t read so well on my Kindle. Instead of having to read on my computer, I can easily convert it to the format I need.
  7. Bookfunnel (or Instafreebie) – Do you send out review copies to your advance team? Do you give away ebooks in large giveaways? Whenever you need to send a book, wouldn’t it be easier to just send a link and then have the reader download the book on any device they prefer? That’s what these sites allow. They also let you collect emails of the people who download your book which is invaluable if you’re focused on building a large Newsletter (which you  should be).

There are so many great resources for writers out there and with the rapidly growing indie publishing industry, more are popping up all the time. None of these replace the best resource available, though. Other authors will forever be the best source of marketing advice and support as well as critiques and cross-author promotions.

The tools are out there to make a go of it in this industry. The biggest thing I’ve learned is to never be afraid to try the new ones that come along. Experiment, see what works for you. Don’t be afraid of technology and never ever think social media is a waste of time. In the crowded market, we need to be everywhere. We must make it as easy as possible for readers to see us and get ahold of our books. As indies, we don’t have the huge teams behind us, but in today’s world, some successful authors are finding they don’t need them.


Don’t forget to check out our other posts HERE.

See Michelle at the Young Adult Author Rendezvous HERE.

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Character Inspiration: Dreams

Character Inpiration: Dreams by Author Lauren Mayhew

Character Inspiration Dreams - Lauren Mayhew Author - YA Author RendezvousDreams are full of people, some that pop up more frequently than others, and some who you’re sure you’ve never even met before. But all of the dreams are created by you, and each of the people in them is a character in that scenario.

Throughout my trilogy, characters and certain events have all come to fruition because of my crazy dreams. My dreams are so weird, I’m surprised my mum hasn’t sent me to be sectioned yet. On the plus side, I can get some wicked storylines and characters from them.

For example, the villain in my books is called Duana. She appeared in a dream of mine from a long time ago, dressed head to toe in black, chasing me through a shopping centre. When I say chasing, I mean that dream chase, where I’m running for my life, and she’s walking ominously behind me. Anyway, she followed me into a charity shop, where I was hiding amongst some coats on a clothes rail. She couldn’t find me anywhere, and exited the shop. It was only when she was gone that I realised I was hiding behind the coats, in the reflection of a small mirror sitting in front of them. And that’s how Liliana was born too. Two characters in one dream.

The best thing to do after waking up from a dream, is to write it down immediately. You can’t trust that you’re going to remember it in the morning. Write it down while it’s fresh in your memory, and remember to laugh at it when you read it in the morning!

Even if a certain person in your dream has the face of someone that you know, you can change that when writing. That person doesn’t need to know they inspired the character from one of your crazy dreams. It’s a secret between you and your character.

I’d love to know if you’ve ever been inspired to write something based on a dream you’ve had. Comment below!


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted on the YAAR website with the express permission of Lauren Mayhew.

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Character Inspiration: People You Know

Character Inpiration: People You Know by Author Lauren Mayhew

Character Inspiration People You Know - Lauren Mayhew Author - YA Author RendezvousThis one may seem obvious, but I think it’s worth writing about. You don’t have to copy someone that you know completely, as that may be a bit too obvious if they ever pick your book up, but you can take certain traits from them.

For example, my first book ‘Reality is in a Dream’ has two characters that are exaggerated forms of two of my old school friends. Certain events that take place in the book involving the main character, Liliana, actually took place during my time at school. It’s quite funny, because I once had a reviewer tell me that she thought these character’s actions were not believable, and yet it actually happened to me.

Obviously, you don’t need to take their names, you don’t want anyone to be offended, especially if the character is one of the villains, but certain things that they may have said, or small mannerisms are a great way to begin the development of a character.

“Write what you know.” – Mark Twain. In the case of characters, I feel this to be true. It’s much easier to write about someone that you know, rather than starting a character from scratch. If you’ve been bullied in the past, use that bully to write a character with an unsavoury nature. If someone has said something that made you feel happy, use it. It’s as simple as that.

Many authors take reference from people that they’ve encountered in real life, and use them to create some of the best characters ever written. For example, Hermione Granger is based on J.K. Rowling. Rowling herself admitted that she was so like Hermione in school, and so she put a little of herself into the Harry Potter world.

You’ll be surprised how quickly a character can blossom into something you didn’t expect, taking your story places you never thought it could go. You may start off being inspired by somebody that you know, or at least knew a long time ago, but they’ll usually end up being completely different by the last page.


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted on the YAAR website with the express permission of Lauren Mayhew.

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Character Inspiration: People Watching

Character Inpiration: People Watching by Author Lauren Mayhew

Character Inspiration People Watching - Lauren Mayhew Author - YA Author RendezvousI love to people watch. I could literally watch people all day. Some of them are just so fascinating.

Have you ever been sat somewhere, and watched a person run through a town centre? Did a part of you ever wonder what they were up to? Did you then find yourself creating a scenario in your head about what it is they’re doing? If you did, then you’ve essentially created a character. If you’ve never done this, you’re seriously missing out!

Nobody is the same, and I’m not talking about skin colour, ethnicity, or accents. Nobody walks in the same way. Some people have limps, others drag their feet, and you’ll get the occasional person who seems to bob up and down with each step taken. What gave them their limp? Why do they drag their feet? Are they bobbing because they have an anti-gravity power that makes it difficult for them to keep their feet on the ground? Too far… Maybe, but you see what I mean, don’t you?

You only have to watch someone for a minute or two, and a character will emerge from them. 99% of the time, you’ll get everything wrong about them, but they don’t need to know what you’re thinking. As long as you’ve got that one character, the spark will ignite into a story line.

Only the other day, I was out walking with my mum and my sister, and a car sped past us down the road. It had to brake quite suddenly to avoid smashing into the car in front. All of us thought the same thing, ‘What a [insert expletive here]!’ He then sped off once the car in front had turned into another road, and my mum said, ‘He must be late for his dinner.’

To which I replied, ‘Or he’s been having an affair at work, and didn’t realise what the time was. He doesn’t want his wife to get suspicious, so he needs to get home on time.”

And suddenly I have a character, and the beginnings of a story. It’s not the sort of story I would write myself, I’m more of a Paranormal Fantasy writer, but it would work for someone.

It’s so simple to spend ten minutes every day observing those around us. Some people can do some fascinating things when they think no-one’s looking!


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted on the YAAR website with the express permission of Lauren Mayhew.

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Walking the Line – Sex in YA

c118acd3c2a99fb465af4dff36bbc17dWritten by K. R. Conway

If you have ever kicked around on YA blogs,

inevitably you come across posts about sex in Young Adult novels. Nine times out of ten, the post will say something about how books portray these moments, whether accurate or inaccurate, fade to black or way too much details.

I’m going to address the top three myths I see about nookie and YA, because quite frankly, there is a whole variety of what can be deemed as accurate in portraying sex.

Argument 1: Too many YA books paint first time sex as a beautiful experience, when it really is kind of . . . awkward.

My thoughts: True, but this seems more likely if both characters are inexperienced. tumblr_n0jrngdlbv1rizz8go1_1280It doesn’t have to always be portrayed as messy, or clumsy. Sex between characters should be a reflection of who they are as people and as partners. What they do between the sheets (IF they do anything between the sheets, because sex should only appear if it is accurate for the characters), should mirror their lives with one another. I’ve seen it done really well in YA books, and other times I wanted to scream (and not in a good way). Should it be an accurate reflection of real life? Absolutely, but such truths should be echoed in who the characters are without sex, and whether or not one is inexperienced or not. Sex between YA characters can be beautifully drawn, but should be honest. The Gossip Girl do-it-on-the-staircase-stuff I’d avoid. I mean come on . . . those wooden treads would suck!

Argument 2: Fade to black is a cop-out in YA. If your gonna write it, write it!

My thoughts: While some writers give a real play-by-play of sex scenes, I find myself far more impressed by those who show alot without showing alot. Plus – I have a teenaged daughter, and while she is fully aware of “stuff” (and heaven knows the stuff that is shown on TV and film now-a-days) I would rather she not read some graphic scene (not yet anyway). An intimate scene between characters can be portrayed vividly, while maintaining a PG / PG-13 rating.

2120642dcf55ac09bd2160fa5551f531Argument 3: All the girl characters become mindless idiots once kissed, and all the boys are dying to peel their love interest’s clothes off like a tangerine.

My thoughts: Bullcrap. You’re just not reading a wide enough variety of YA to realize that some writers deliberately put their female characters in the driver’s seat when it comes to sex. They are also careful to write both the bad boys that don’t give a damn about consent, along with the ones who make sure their girl / guy are in total control of the situation. Both these issues (girl power in the sack and males who boost the control of their love interests) are a critical part of the Undertow series. I wrote the contrast because I wanted the girls who DID read the series to see and understand what true love looks like (and what it doesn’t, in the case of Ana Lane’s father), and what strong females sound and act like. I’m not the only author who is a “girl power” writer – there are many of us (Sarah Maas, Eva Darrows, Jennifer Armentrout, Mary Pearson, and Holly Black to name but a few). So don’t buy the BS that sex in YA is all “boy he-man, girl fair princess.” Some of us write the warrior chick, right down to the marrow of her bones (and her hormones).

Argument 4: Sex in YA is inappropriate.

My thoughts: Maybe – it depends on the story. It depends on the characters and what the author, editor, and about nine other people who are involved in the book’s evolution believe. At the end of the day, however, the choice between characters on whether to do the deed or not reflects entirely on who they are at that moment in time in their lives and whether or not that moment actually occurs in the time span of the book. Like all choices characters make within the story, sex must be a reflection of who they are, as people (or, uh, monsters), where they came from, and how they see and trust one another.

And sometimes, when we view sex in YA, we simply need to remember what it was to be in love for the first time.

You can read more of K.R. Conway’s blogs here.

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Why the Agony of Writing for Teens is Worth It

Girl reading a book on the floor.Written by K. R. Conway

Writers can become burned out.

I don’t mean the hyperventilating, “OMG I have no story ideas!” type of burn out. I mean the grind of the words, the constant push to out-write your last book, the stiff necks, the time crunches, and the piecemealing of a life outside of your characters’ worlds.

You try to balance the requests from bookstores, the demands to meet deadlines, the desperate need to spend time with your family and your children, and (for many of us), the 9 to 5 of a day job as well.

Novel-writing is the ultimate act of endurance, with a finish line that seems to never fully reveal itself. And once you have finished one story, polished and in print, you immediately are looking to churn out the next book.

I started to feel the burn out when I was finishing up CRUEL SUMMER.  In the past 2 years, I had churned out close to 300,000 words related to the UNDERTOW series. Let me tell ya – that’s a lot of freakin’ words!

I’ve worked as a writer since 1999, and in all those years, I never got burned out as a journalist. But in all those years, I didn’t have the fans I have now. And they are like – HARDCORE FANS. They burn through those 300k words in just a couple of days, because they can’t put the book down. Because they must keep going, or they will obsess about Eila and her crew all day long, which is great and all, but I start to panic and think, “I need to get another book done for them, like, YESTERDAY!”

And my fans are voracious readers. I often get messaged that this kid or that kid has read STORMFRONT in a day (112k words) or that they are re-reading UNDERTOW for the 5th TIME! I don’t even think I’ve read Undertow cover to cover more than twice, and that was when it was in its editing phase! Some fans buy EVERY cover version, because they must have them all (0_0)

So, when I start to feel the burn out lurking in my life, I remember those fans. Those that flip out so entirely over the characters, that their Christmas lists are loaded with Undertow stuff.

I don’t get to usually see fans outside of book events, but the other day I saw one reading my book, and what I saw filled me with determination to work even harder.

You see, I drive a school bus during the day, filled with my target audience. While I can only really see the tops of kids’ heads when I drive, I do have to walk to the back of the bus when I pull up to the middle school to unload. The other day, while I walked to the back of the bus to disengage a warning button, I saw one girl sitting and reading, oblivious to the fact that we were at the school. At first I didn’t pay much attention, but then I did a double-take.

I knew that font.

I knew that line.

She was reading STORMFRONT. I didn’t bother her, but kept going and unloaded the bus, but she hung back, sliding into the seat behind my driver’s one. “This is so unbelievably awesome,” she says to me. “I was up from, like, 8 to 11 last night reading. And I reread Undertow over the weekend, but OMG. I love this!”

I thanked her and blushed a tad, thrilled she was enjoying it.

At the end of the day, I drove her home with a bus full of half-crazed teens. I was focused on getting the kids home safely and not losing my mind, so I wasn’t really paying close attention to what she was holding as I unloaded at her stop. But as I saw her walk away, I realized she had gotten off with the book tucked under her arm. I watched, floored, as she walked towards her home, Stormfront in her hands as she read.

She wasn’t on her phone. She wasn’t hanging with the other kids and talking. She was lost inside my book, living alongside my fictional characters, reading as she walked. Suddenly that lurking burn-out vanished and I remembered why I write.

I do it for teens like her, who want to fall so entirely in love with a story that their own reality tumbles away.

I write for the fans, and in turn, they are my creative jolt.

They power me past the burn out.

They are my army and my saving grace . . . and I pledge my undying loyalty to their awesomeness

Know Thy Audience. ALWAYS.

Know Thy Audience Always - Young Adult Author RendezvousWritten by K. R. Conway

If there is ever a phrase that sends chills through my body, it is: “Well, I’m not really sure if my COMPLETED manuscript is exactly aimed for teens. Maybe it is more middle grade? But then again, I guess it could be adult.”

Oh, dear lord.

There is nothing, NOTHING more important than knowing WHO you are writing for before you even put pen to paper. You need to know EXACTLY who your audience is – from how they live, talk, socially function, what would make your book appeal to them, WHY they would buy it in the first place, blah, blah, BLAH. How do you sell something if you have no clue who would want to buy it? That’s like designing a hot air balloon that can’t fly and saying, “I know this will appeal to SOMEBODY.” Well, heck – you would be 112 years old before you figured out WHO would buy an unfloating air balloon (FYI – this would sell to those funky, futuristic tent designers who want some killer fabric and who would upcycle the basket parts. SEE??? I know my audience!!!)

As cool as your story may be, it NEEDS a set audience to S-E-L-L. So . . . let’s take, uh . . . OH! The Shadow and Bone series by Bardugo. Dark fantasy set in a brutal remake of a Russian-like empire. Totally awesome. Love it. Go read it. Well . . . go read it IF YOU LIKE THAT TYPE OF THING. See???? Audience. I like dark and creepy with a few well placed bodies here and there. I can do fantasy as long as the fairies are the type to murder you in your sleep while acquiring your tooth.

So Bardugo’s audience is the type that:

A. Likes dark fantasy. This would include those who enjoyed the last few books in the Harry Potter series best, and those who liked Lord of the Rings and (if you’re ancient like me) The Dark Crystal.

61sIOGA4rqLB. They are 14 + (maybe a few, high-level 13-y-o readers too). She appeals to those who like vivid world building over smooching scenes. People who are willing to see a character fail and have mixed feelings about the “bad” guy (who happens to be a hottie).

C. Her readers tend to be thinkers. People who like puzzles, especially the ones that require you to out-manuver an opponent. They are the people who tend to be the quiet ones, but their imagination is always running and it isn’t playing Cinderella scenes over and over, if you get my gist.

D. They are bold, but not for the sake of others. They will pierce their tongue not to fit in nor stand out, but because doing so speaks to who they are as a person. They don’t follow the crowd.

E. They like twists and unseen complications. They like to see the characters fail as well as conquer. Romance is okay by them, but it is not the only reason they read the story. In fact, the romance aspect is low on their list of must-haves and they like that the main characters are a bit tortured in their love for one another.

You may say, “Holy heck, Conway – that is a TON of detail. How are we supposed to know that much about our audience?!” Well . . . that’s part of being a writer, and I was a journalist before I was a novelist. As a journalist I had to always, ALWAYS sell my story – not only to my editor, but to my potential readers. I needed to pitch every story to my editor and tell them WHY it was timely. WHY people would read it and WHO would read it. I needed to tell them how I would learn about the topic I was pitching and LEARN ABOUT WHO IS INTERESTED in such a topic.

I basically became my audience, every time, for every story. To become my audience for UNDERTOW, I began reading any and all YA books that were a bit similar. I started watching every teen movie I could find, plus those that were not aimed for teens but had young main characters. I shifted my playlist in the direction of pure Alternative music, hard rock, and a bit of metal.

I was willing to be a teenager – jump on beds (okay – my daughter’s bed at least), leap from the Town Neck bridge, argue over t-shirts at Abercrombie, and generally act like I was 16 rather than . . . well, older. I began to look at the world as a high schooler again – to understand fully what they loved, what tormented them, what mattered to them. Now-a-days it is easy for me to shift from the “run for your lives, MOM IS PISSED!” mode into a full on, nag-worthy, “Can we please, PLEASE, PLLLLLEEEAAASEEE go to the movies???? Can we go dye our hair??? Can we go hang out at the beach with our kites??”

If you have any doubt in my ability to be a teenager, just ask my daughter and her friends. They will tell you I am full-on nuts, but 100% wildly fun. Well . . . until you pick on your little brother or dare to sass me.

Then it’s GAME-ON-EVIL-MOTHER MODE.

And yes – I will totally write my Mean Mom character into a novel at some point . . . as long as it fits with the audience I am writing for. As for now, I work exclusively for the teens I strive to please, and always, always for my fans.

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How I got past Writer’s Block

How to avoid writer's block - Young Adult Author RendezvousWritten by Lauren Mayhew

At some point in every writer’s life, writer’s block kicks in, and when it does, I think you can agree it’s the absolute worst. Even though you know you’re capable of writing the story in your head, the words just won’t come out.

What I’m about to say is by no means the only way to defeat writer’s block, but this is what worked for me, so hopefully I can help a few of you out if you’re struggling too.

My writer’s block began after I’d published my first book, ‘Reality is in a Dream’. I had a short break before beginning the writing process of book 2, ‘Mourning Memories’, and when I started to write book 2, I was very enthusiastic that the process would be swift. However, about 20,000 words in, I began to hate everything that I’d written up to that point, and then I re-wrote the whole lot.

This put a massive spanner in the works. I’d completely lost my flow, and although I had a very descriptive plan, I just couldn’t find the motivation or inspiration to do any writing. At this point, I was also hand writing everything, and then typing it up later. It was a slow process, and in the end, it took me 18 months to write book 2. That didn’t include the edits, and formatting time.

Because of this extremely long process, I kept putting off the writing of book 3. I couldn’t even bring myself to write a plan out, because without this, I couldn’t start writing, or that’s what I told myself anyway. But then NaNoWriMo came around, and with the encouragement of a few others in this group, I decided to give it a go.

I didn’t write book 3 of my trilogy for NaNo, as I was still procrastinating about that one, but I did manage to write 50,000 words of a different book, the fastest I’d ever written a book in my entire life. I was no longer hand writing, simply typing directly onto Microsoft Word, and the words just kept flowing. I had a plan for this book, but I think I only looked at it once. The story ran away with itself, and turned into something I’m extremely proud of.

50K50Days - Day 50 - Lauren Mayhew Author - Young Adult Author RendezvousSo, when I finally decided to write the third book in my trilogy, I took inspiration from NaNo. I set myself a new challenge, to write 50,000 words in 50 days. I posted every day on my social media accounts, letting my followers know about my progress, and that pretty much forced me not to give up. I still hadn’t finished the plan for the book, but once I’d started, the characters took over, and before I knew it, the story was written.

Having less of a structured plan to follow, a daily target to reach, and followers on social media expecting updates, I managed to overcome my writer’s block. In the space of four months, I managed to write two books. Neither of them are close to being finished, but the story is there to be edited, and that’s sometimes the hardest part for me. I’ve given myself a break from both of them, but I’ll be going back to the third book in my trilogy soon, and hope to have it published by the end of summer.

Set yourself a challenge, and you may be surprised what you’re capable of!

Indie Author Life and Other Forms of Torture

Indie Authors - Young Adult Author RendezvousWritten by K. R. Conway

Last night I had an epiphany.

One would think it would have been obvious to ME for a while now, but it wasn’t.

You see, I am a self-published author, though I refer to myself as an “Indie” mainly because I operate like a business – like a small press. I am also a professional writer, and I don’t say that off the cuff or because I’ve written two novels.

I’m LITERALLY a traditional working writer, so I will admit that gives me a bit of a leg-up in some aspects. And I’ve been a professional writer for nearly two decades – a paid, published, prolific, oh-crap-I’m-on-a-deadline, writer.

Because of my professional background, I WAS a publishing snob – I believed that to be a legitimate success, you needed an editor to praise your work and a Big Six publisher to fork over the dough. I thought you needed the stamp of approval from the publishing gods and a few lines about the deal on Publishers Marketplace.

And even after I decided to jettison my brain and self-publish UNDERTOW (mainly because I wanted to write the story I wanted to write for the first time in my life . . . and I may have been nuts), I was still seeking “traditional” approval. I wanted an agent or a publishing house to suddenly fall on me and say, “Oh YEAH – we want a piece of the action!”

I wanted their approval because I thought I needed it.

I thought I needed their watermark to designate a book as worthy — as great. The reality is that it is still a total gamble. I’ve read AWESOME traditionally published books and ones that are total junk. I’ve read lots of terrible self-pubbed stuff too, while others are phenomenal . . .  although the kicker is I look AFTERWARDS for a pub imprint on the fabulous books. I know . . . the irony is sick.

Indie Author Struggle - Young Adult Author RendezvousAnd it’s true – to get reviewed in the big newspapers, you DO need such a mark. Many places will scoff at you and ignore you if you say you are self published because in their head, all that matters is a traditional publishing deal. The comments of fans, the rave reviews from book bloggers, means nothing. I take comfort in the fact that so many books come out constantly, that I find book sellers also don’t have a solid grasp on who an author is, even if the author has signed a huge deal and is a screaming success among fans. Seriously – if this describes you, don’t take offense by their lack of knowledge – they are hurled books and press releases all day long. Those writers with the biggest marketing buck are the ones they finally stock.

I am blessed that the UNDERTOW series gets a LOT of action. I owe that almost entirely from the one group of people who I had never really aimed for before as a journalist: fans. I started earning fabulous, dedicated fans and more importantly, they were buying Eila’s story, posting pictures to Facebook, Goodreads, and Instagram. They were talking about it, writing fan fiction on it, shooting my crazy story to the top of the Amazon bestseller heap. Teens even started recognizing me IN THE MALL, which was waaaayyyy out of the norm for me.

Yes – I wrote UNDERTOW for those teenagers of the Cape (I used to be one when dinosaurs still wandered the earth). I wrote for Cape Cod, but the professional writer in me also sought that “publishing deal” even though I KNEW I had taken myself out of contention the second I self published the book.

So last night, as I was cranking out pages for CRUEL SUMMER, my professional brain kicked in and I started thinking if I should query the manuscript (send it to literary agents). I started wondering if I should throw my hat into the ring with the publishing gods, even though CRUEL SUMMER is a spin off of my books.

But then a message popped up on my author page on Facebook.

It was from a fan. Someone I had never met who lived in Ireland and was head over heels for the series. She said she went to her local bookstore, who refused to order STORMFRONT because I didn’t have a snazzy imprint from the Pub gods. But to her – this random fan who was strolling the streets of a foreign country — it didn’t matter, because she went online and bought it anyway.

And THAT is when I finally realized that those publishing imprints mean nothing to readers. My background as a professional writer, means nothing. The fact that my name is not in Publisher’s Marketplace, means nothing to readers. Hell, sometimes MY NAME means nothing because they never looked at who wrote UNDERTOW.

To the industry, however, those things mean everything.

It was then that I realized, that while my professional self wanted to stay in the professional pat-on-the-back track, it was my READERS who made my day. It was their reviews and their thoughts, that counted. They PAID me, and paid me well (thanks BTW!). UNDERTOW will eventually make the same amount as an average publishing advance, not because one person from the right business said, “yes,” but because thousands of readers said, “HELL YEAH!”

For me, that knowledge is humbling. My readers have entrusted me to not let them down and to focus, not on my professional past, but on my rebellious Indie future. They want characters that they scream for, stories that keep them awake at night, and a crazy author that will aim to always please them.

Yes, it is true that I would like an agent someday and I offer outrageous applause to those awesome friends and writers who DO have publishing deals (and I will push your books into the spotlight as much as possible). But for UNDERTOW and all the books that live inside that world, I will write for my fans and keep it in my control.

My readers may not be from the Big Six publishing houses, but they gave me their stamp of approval . . . by the thousands.

What more could a storyteller ask for?

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5 Steps to Getting Published

5 Steps to Getting Published - Young Adult Author RendezvousWritten by Christopher Morgan

Whether it’s skydiving, visiting the Taj Mahal, riding an elephant or learning to play the piano, everyone has that bucket list they’re trying to work through before they die. Having done all of these things myself already, my own bucket list is much smaller nowadays but one of the last remaining entries was to publish a novel.

This year, however, I was successful at putting a check into that box with the release of Forestium: The Mirror Never Lies. If you’ve ever wanted to put a check into that box, here are the 5 things you’ll need to do.

Step 1 – Turn intention into action

It might sound straightforward enough but the truth is that the vast majority of people that intend to write a novel never actually start. Sadly, the majority of people that start don’t even finish it either, and many of those that do get that far never cross the final hurdle of actually getting their book published. Overcoming this mental hurdle and believing in yourself is the very first, all-important step towards your goal of seeing your book in print.

Step 2 – Write something

Whether there’s something that you’ve always wanted to write or whether you are inventive enough to conjure up something on the spot, your book content is your next hurdle. Many people think that this is the hardest past of the process but that’s not necessarily the case. Don’t worry about making it perfect – just get something down first. You can always go back and make improvements.

Step 3 – Editing

There will be lots of opportunity along your journey to try to scrimp and save and do things on the cheap. This isn’t one of those. Don’t try to do this yourself! Get a professional to assist. Once you have finished your last chapter, the real work begins and it should start with you going over everything yourself – repeatedly – to make changes, corrections, tweaks, adjustments, etc. Then, solicit some beta readers to give you an honest assessment. These should be strangers that have no investment in wanting to spare your feelings. Your Mum will love your work and your friends and family will probably tell you it’s terrific. Ignore them all and get total strangers to give you the honest feedback you’ll need at this point. When you’ve done all of this, engage a professional editor to go over it all. You’ll be surprised at just how much better a good editor can make your manuscript.

Step 4 – Book cover

People do judge a book by its cover, so make sure it’s a good one. Yes, you can make a book cover cheaply and with readily available software programs like Microsoft Word but this is another area where money could be very well spent. The right book cover can make or break a book, so it’s worth spending a lot of attention on this. Engaging with a book cover designer is likely to be money very well spent.

Step 5 – Getting published

Sounds easy, right? Well, the truth is that it can be – depending on which route you take. When it comes to publishing, authors fall into two broad categories: Traditional (trad) or Independent (indie). The trad publishing route typically involves engaging with an agent, who then sells your idea to a publishing house, or at least tries to. This can and does work well for a lot of people. The catch is that you have to pay a percentage to the agent and also to the publisher. But, if all goes well, your book will be marketed far and wide. The downside is that you lose a percentage of your book sales, as the agent and publisher each take their cut. If you publish the book yourself, which is quite easily done nowadays, you’ll retain more of the profits for yourself, although it can be hard work competing against the traditional publishing marketing machines and will definitely require a lot more work on your part.

Don’t forget to check out our awesome giveaway here!

Burnt Leaves and Other Weirdness

Burnt Leaves and Other Weirdness - Young Adult Author RendezvousWritten by K. R. Conway

My mother is a wise soul.

I mean, don’t get me wrong, she’s kooky and crazy and lives out loud, but she’s got this inner Zen thing going on that makes her come out with some true treasures of insight every once in a while.

One such gem was pretty simple: she said real writers, WRITE. They don’t perseverate, they don’t make up excuses. They just write – nose to the keyboarded, possible drink in their hand (hello, Hemmingway), and a brilliant fire in their belly that demands they tell the story.

I didn’t have that drive to write when I first messed around with UNDERTOW, but once I got really rolling inside Eila’s world, I loved it – the feel of the abused keys under my fingers and how the voices and scenes washed away the world as I worked. I mean, literally – the house could catch fire and I may not realize it.

So anytime I try to excuse myself from my keyboard, I remember my mother’s words (and the fact that my readers will get on my case if I don’t finish my next novel) and I get back down to business.

But I like to think that I’m actually a storyteller first, a writer second. The tough thing about being an obsessive storyteller is that you have a MILLION stories to tell. And because the new characters and tales are screaming to come out, I sometimes think I can weave them ALL into a current WIP (work in progress). Sometimes I do, but sometimes I control the urge and tell myself they deserve their own novels. Most of the time I spin so many stories in my head, that they all jockey for attention at once, which literally melts my brain.

At night I go running for a few miles, music blaring in my ears, seeking the muse within. While I pound the pavement, those stories that are whispered in my mind suddenly come vividly to life. I no longer see the road, but rather an entire scene playing before me like a ghostly movie screen. Literally, I no longer have any sense of where I am, only that I SEE the scene in front of me. The stories that win the right to be the next one written, are the ones that build scene after scene, night after night as I run.

Tonight I went walking with Kalli, and while we strolled she suddenly asked me why I was feeling the leaves.

I didn’t even know I was doing it.

I was walking under a low slung oak branch and my fingers were trailing through the tips of the leaves above me. But in my mind, I wasn’t touching them – my character was and the leaves weren’t soft and green, but curled and windburnt.

I turned to my daughter and simply replied, “I’m writing,” as I dropped my hands and shrugged.

Of course, she thought I wasn’t normal and commented as such. A minute or two of silence sat between the two of us as we walked in the near darkness. I glanced at her out of the corner of my eye as she fiddled with her phone, seeming flustered, but then she finally huffed in aggravation and halted. “DAMN IT! Now I’m gonna obsess about what you’re writing!”

I smiled like the cat who ingested Tweety and pointed to the tree, sitting content and deep green in the night air, and said, “The leaves, in my mind, are burnt and the damage isn’t from nature. I see it every night when I run.”

Kalli looked at me, a stone-still stare that she has perfected over the years, and only her lips moved. “You are so weird.”

Yup. That’s me. The weird one.

I am my mother’s daughter. Apple. Tree.

My daughter is totally doomed to inherit that gene.

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In Defense of Insta-Love

In Defense of Insta-Love - Young Adult Author RendezvousWritten by K. R. Conway.

I do three things when I’m trolling the aisles of heaven (re: bookstore), searching for a few new books to burn my paycheck on:

  1. Seek out a kick-ass cover.
  2. Read the back jacket.
  3. Read the first page . . . and maybe the Goodreads reviews.

Let me tell ya – I’ve learned one thing about Goodreads and that’s that many readers apparently hate any novels with “insta-love,” but I’m calling out their whining as “bullshit.”

Why?

Because they’ve done it themselves. Repeatedly.

Let’s face it – novels have plenty of this “insta-love” thing going on, BUT I find that it’s (usually) not actually insta-love. It’s insta-LUST and lemme tell ya – we’ve ALL been there.

And lust . . . is dangerous. Forbidden.

Yet we don’t care, ’cause, baby,  we LOVE to lust.

We’ve drooled over the movie star, licked the Abercrombie bag (well, I have), and mentally stripped the barista hottie who’s serving Starbucks (yes, we females are just as guilty of doing it as the males, but we’re sneakier about it). Fellow writer Trisha Leaver would no doubt shove me from her car and haul butt for her TV if she realized the new season of Outlander had suddenly appeared because, well . . . hot Scot in a kilt! (FYI – it’s not on yet, damn it).

Adam Driver - Kylo Ren

Adam Driver is “Kylo Ren” in Star Wars, The Force Awakens

And Lust can corrupt your sanity and your morals. Take, for horrifying instance, my teen daughter: she’s totally in love with Kylo Ren from Star Wars. The second that jerk took his helmet off on the big screen and tried to suck the brain cells out of Rey, my daughter was drooling. DROOLING. Hello? RESIST THE DARKSIDE, GIRL! That’s lust.

And honestly, I’ve never known love-at-first-sight, but I’ve totally known LUST at first sight. Sometimes it evolves into love, other times . . . meh. More importantly, if you go back and really read all those book which have been labeled as “insta-love,” you’ll realize that they are actually insta-lust, which happens every second of every day.

I guess my point is that you can’t bash insta-love because it’s a truth of life (just sorta misnamed by readers). I tried to cover every variation of love in my books because I’ve known all the variations through my friends, family, and my own life.

For many, MANY people, lust usually comes first (Eila for Raef). If you’re lucky, it evolves into love (Raef for Eila). And sometimes hate comes first, then a slow “like,” then love (Ana and Kian). And sometimes lust comes first, but eventually burns both people out and they end up loathing one another while plotting one another’s murders (Collette and Kian).

And other times, a cautious friendship starts first, then love, then lust (Christian and Elizabeth).

But you can’t bash insta-love / lust because you think it’s cliché.

It’s not and we all know you’ve done the insta-love / lust thing with the movies, TV, books, and the Chris Helmsworth lookalike working on the roof next door. Even freakin’ love triangles are real (what a nightmare, FYI – in real life, it’s a major pain in the ass).

So, if I have no issue with insta-love / lust and love triangles in books, then what do I loathe in a novel? That’s easy: dumb heroines and crappy characters. Bad writing and thin storylines.

So, yeah – I’m calling out all you insta-love haters because we all know you’ve done it, multiple times, and lust is good for ya. If you’re gonna whine and protest about something, protest bad writing. Protest shallow characters, boring stories, and weak females, but not the lust.

Because, quite frankly, lust makes the world go round.

You can see Kate’s original Blog Post here.

Book Review and Rating Myths

Book Reviews - Young Adult Author RendezvousWritten by L. J. Higgins

The book review. Something every author needs and wants. They can simultaneously drive them crazy and make them want to cry and have them smiling from ear to ear. But while reviews are important to authors, I don’t think readers realise how vital they are to not only authors but also themselves. Reading reviews and ratings can help you gauge if a book is worth your money and time, and if it’s the right book for you.

Reasons you should leave a review:

  • For your fellow readers – Reviews are a way for readers to help other readers. By reading through them or glancing over a books star rating you can decide if it is a book you are interested in or not. If every reader gave a quick star rating and review of each book they read, then it would make it much easier for others to find their next favourite book.
  • Meet other book lovers – Through sites such as Goodreads, reviewing books and sharing your love for them can help you meet readers and authors who enjoy the same books you do.
  • To thank the Author who wrote it – Authors not only need reviews, they love hearing what you honestly thought about the story they put so many hours, weeks, months, even years into.

Myths about Reviews:

  • They have to be long and detailed – No they don’t. The only thing they NEED to be is honest. Even one to two lines can be enough to let people know what you thought of a book. Yes, you are more than welcome to write a review that breaks down characters, plot etc. But you don’t have to. It’s your choice.
  • Reviews have to be nice – Reviews are the one time you can ignore the saying ‘if you have nothing nice to say, say nothing at all.’ Reviews are there to not only help readers decide if it is the book for them, but also to help authors learn what their audience loves and dislikes about their books. This helps them grow and learn as writers, so really your HONEST review is helping your favourite authors become the best they can be.
  • You can be mean in reviews – Okay, now I have to take back my words and remind you of the saying, ‘if you have nothing nice to say, say nothing at all.’ Reviews are meant to be honest, not mean. There is no need to personally attack the author or the morals you don’t agree with in the story. Remember, just because the author wrote it, doesn’t mean it is their opinion. Stories are made up, as are the characters, and sometimes characters do or say things that we don’t necessarily approve of as an author, but feel it helps the story in some way.
  • 3 Stars mean a book is bad – For many authors, anything over 2 stars is great. Accompanied with an honest review a 3 star rating can show an author that although you liked their book there were a few things that could be worked on. Here is a rough idea of what star ratings mean on Amazon.

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So there you have it. Writing reviews and rating books isn’t as scary as many people think. You don’t need to be a writer yourself to leave one that is helpful, and you are not only helping an author when you leave one, your helping other readers like yourself. So next time you read a book take ten minutes to head to Amazon or Goodreads to let them know what you honestly thought about their book. You will make an authors and possibly a readers day!

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