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Book Trailers – Are They Worth It?

Book Trailers – Are They Worth It? by Author Lauren Mayhew

Lauren Mayhew Author - Liliana TrilogySo, now that the Liliana Trilogy is complete and out there for all to read, I often wonder if I should be doing more in the way of marketing.  I don’t have a lot of money to spend – correction – I have no money to spend on marketing. I need to save all the money I can on buying a house one day, so my books often take a back seat. I live in the UK, and buying a house right now is damn near impossible.

Something that a lot of authors seem to do is create a book trailer. It’s a great idea if you think about it. You can embed a video on any website, put it on YouTube and all other social media platforms, and anyone can view it. It’s the perfect way to get people interested in your books.

Why haven’t you done this already, I hear you say. Well, I’ve thought about it a lot over the last few years, but never quite got round to it. I’m a bit of a control freak when it comes to my books, and with stuff like this, I like to be in charge. I have so many ideas of what I’d like my book trailer to look like, and passing that over to someone else without first having a go, is not something I’ll do in a hurry.

Obviously, it would be so much easier to go on Fiverr and get someone else to make it for me, but then it would be a generic trailer, not personalised to my books. There are so many book trailer makers on Fiverr, I wouldn’t want my trailer to look exactly the same as anyone else’s. Don’t get me wrong, there’s nothing wrong with a Fiverr trailer, it just doesn’t work for me.

If I’m going to entice people into reading my books, the trailer has to reflect some of the themes in the book itself. My books are my creation, this should be too.

The sort of trailer I’m looking for will be more like a film trailer, I think. Without paying a lot of money, I’m never going to get this unless I make it. I really do like to make life hard for myself. But, as you can probably guess, this is going to be my plan for the next few months. I am going to make my own book trailer. I just need to drag a few family members into it too!

Just thinking about it has got me a little excited. I’ve got a good camera. I’ve got the props that are relevant to the book. Crystal ball – check. Water droplet pendant – check. Various mirrors – check. Now I just need to make it happen. Also, pray for good weather! A spontaneous trip to Cornwall may be imminent. Bring it on!

I’ll let you know how the planning goes, and as soon as I’ve finished it, I’ll post it here for you all to see. This is going to be awesome!

If you’ve created a book trailer, let me know how it’s gone for you. How have you used it? Has it had a good response?


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew.

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What Makes a Good Book Review?

What Makes a Good Book Review? by Author Lauren Mayhew

Book Reviews - Lauren Mayhew AuthorI’ve always wondered what people like to see in a book review. As an author, any review 3 stars or more is greatly appreciated. Even a 3 star review can mean that the reader enjoyed the book, they just didn’t love it. Every review is appreciated by an author, indie or not.

One of my most liked posts on here is a book review. I wrote it almost two years ago now, and it still gets views. I do wonder sometimes how people stumble upon that post. It made me think why that review was so popular. If people enjoyed it enough to like the post, it meant the format of the review must have been to certain people’s taste. You can find it here.

These are the 5 steps that I use to write my reviews.

1- I start with the rating.

This way the reader can get an idea of what sort of review they’re going to read. If you can’t rate the book as 3 stars or more, don’t publish it. An author never knows if you’re reading their book (unless they’ve given you a free copy), so it won’t matter if you accidentally forget to write a review.

There’s nothing worse as an author than to wake up to a 1 or 2 star review. What’s worse, most low rating reviews don’t even give a good reason as to why the reader didn’t like the book. If you do insist on writing the review, make sure you have valid reasons as to why it wasn’t to your taste. Simply writing, ‘This character annoyed me’, isn’t enough. WHY did they annoy you?

2- I state whether there are any spoilers.

I try to avoid spoilers as much as possible, but sometimes it can’t be helped. I’ve read a book review before that didn’t warn of spoilers, and I found out about a character’s death. It took the fun out of reading the book, as I knew what was going to happen. Always warn of spoilers.

3- I include the blurb of the book.

So many reviewers summarise the plot of a book themselves. I don’t see the point of this. The blurb is the hook that reels a reader in, so just include that instead of spending time reducing the plot of the book into a few paragraphs. This is also where those pesky spoilers come in.

Sometimes the blurb on Goodreads can be different to the blurb on Amazon, so it’s usually best to pick the one that will grab most people’s attention.

4- I write about what I liked.

This can include plot lines, characters, quotes, the author’s writing style etc. Literally anything can go in this section. There are usually a few characters that I pick out and write a little bit about. If you’re reading a series of books, it can be good to theorise what might happen in the rest of the books in this section. This can lead to conversation, especially if others have also read the book. They might have a different opinion about what might happen next.

5- I write about what I didn’t like.

As above, this can include many things. I sometimes feel like there are characters in books that serve no real purpose, so I often include them in this section – without spoiling too much! There are often times when I have nothing to write here, so if nothing springs to mind immediately, don’t feel like you have to say something purely for the sake of it.

If you are reading a self-published novel, try and refrain from pointing out spelling and grammar mistakes. All books have them, indie or not. I find mistakes in the majority of books that I read, but I wouldn’t feel the need to mention this in a review for a traditionally published book, so why would I for an indie? Obviously, if there are mistakes on every page, the author should be notified, but not through a review. Send them a private message so that they can work on it for future readers. This way, if they edit the book, anyone reading the reviews won’t be put off by spelling and grammar errors that are no longer there.

Obviously all reviewers are different. This is how I like to write my reviews, and as an author, this is the sort of feedback I’d like to have for my books. A review only has to be a few sentences long to make an impact.

I’d love to know what your thoughts are on book reviews. Let me know what you’d like to see.


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew.

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Play-Writing – How Hard Can It Be?

Play-Writing – How Hard Can It Be? by Author Lauren Mayhew

Play Writing - How Hard Can It Be - Young Adult Author RendezvousWriting a stage play is a lot harder than I initially thought it would be. I knew it was going to be a challenge, as it’s the complete opposite of writing a story. It’s all dialogue and no description. In my novels, the dialogue is probably the bit I struggle with most. So why am I writing a play, I hear you ask. Because I like to challenge myself. If you don’t challenge yourself, life gets a bit boring.

So, I’m writing a murder mystery set in modern times. Normally, I have a title before I even start writing, but not for this one. The title has evaded me so far. I usually use a line of text from the story itself as a title, but no-one has said anything yet that’s catchy enough. That’s a little worrying now that I think about it.

Obviously, it’s still the early days of draft 1, and I think there will be quite a few drafts of this one to make it worthy for the stage, but I’m enjoying it so far. I keep trying to compare it to other murder mystery plays that I’ve read, to see if it fits with their formatting, but I have to keep telling myself that it doesn’t matter if it’s different. Different is good.

In ‘Murdered to Death’ by Peter Gordon, the first guests arrive on page 8, and the murder takes place on page 33. Inspector Pratt arrives on page 36.

In ‘A Murder is Announced’ by Agatha Christie, adapted by Leslie Darbon, the first guests arrive on page 20, and the murder takes place on page 35. Inspector Craddock arrives on page 38.

In my play, the first guests arrive on page 6, and the murder takes place on page 23. Inspector Dodds arrives on page 25.

As you can see, I have a lot of ‘filling out’ to do, but as of yet, I don’t have any clue what to add in. I don’t want to add dialogue purely for the sake of it, as the story has moved itself along quite nicely so far. However, I do want the play to be full length or around 80 pages. I’m not sure if that’s going to happen in its current state.

But, as I said earlier, I shouldn’t try and match it to the murder mysteries that I’ve read. There were definitely scenes in both of those that were extremely long and a little dull at times. This explains why the murder takes place later on in those plays than in mine. I have to start seeing my play as unique, and if I try to replicate others, it’ll just turn into the same old murder mystery.

As I said earlier, it’s still draft 1, so it all might change by the time it’s finished. I need to concentrate on getting it finished before I start worrying about adding or removing sections. I’m sure it’ll all come together in the end.


Want more from Lauren? You can check out his books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew.

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Characters: Gay by nature or choice?

Characters: Gay by nature or choice? by Author Paul Mosier

The following is my response to an email from a woman who kindly beta-read the novel I have recently completed– the middle grade “Summer and July.” Her feedback was thoughtful, intelligent and complimentary. To my surprise she said she enjoyed it in spite of her being ethically opposed to the nature of the love presented in the story, and her worry that my story would contribute to the “normalization” of such love. Below is my response to her. I omit my opening remarks.

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Notes on your notes: The “men in gray suits” is actually one of the several colorful terms in surfer lingo for sharks. Another good one is “landlord,” which is their term for great white sharks. Those don’t appear on the beaches of Santa Monica, or they would have been a good inclusion. But since that didn’t come through to you as a reader, perhaps I need to expand on that exchange. “Noah” is another term for sharks, from the Aussie cockney rhyming scheme of “Noah’s Ark” rhyming with “shark.” Similarly Aussie surfers call Americans “seppos” because “Septic tank” rhymes with “yank.” It’s kinda bizarre.

I, too, was happy with Summer’s method of giving herself permission to feel something other than happy, enthusiastic and optimistic– putting on Juillet’s clothing and makeup. I didn’t plan it– I don’t plan anything in writing, really. I don’t think I am capable of doing something as artful or lovely as that, but as a servant of the muse, I think I do a pretty good job of staying out of her way. I don’t feel like I’m the creator of a story so much as I am the first person to experience it.

I feel the same way about characters. I don’t expect that I’ll change your mind about seeing same-sex love as being somehow wrong, but I’ll make my argument anyway. I have never designed a character, and if I did I think they’d be wooden or cliched. I feel like they are introduced to me by the universe, and I disagree with writers who think that I as an author need to know my characters completely. In fact I feel like I only know them as much as they are willing to reveal themselves to me. An interviewer once asked if I ever found myself disappointed when I finished writing a novel and realized that my characters weren’t real, and my reply was “I don’t think I agree that they aren’t real.”

But I didn’t set out to write a same-sex love story. I think that every story is a love story– the only question is what kinds of love. Summer and July was born from the sense of place of a seaside town with an ice cream shop and boogie boarding, then the characters walked into the scene. But I don’t feel like I determined their sexual orientation any more than I designed the bluebird metaphor. Which I did not design. I’m just witness to it. My understanding of Juillet and Summer, watching them act, is that they are not necessarily drawn exclusively to their own gender. It seems like their affection is specific to the individual case– for Juillet, Summer, and for Summer, Juillet. They’re probably both surprised that their first kiss was with another girl. They’re both young and figuring themselves out.

I don’t choose the sexual orientation of my characters, but if I did, I wouldn’t apologize for representing same sex loves as being as legitimate and potentially beautiful as heterosexual loves. And I would suggest that maybe instead of worrying about texts that “normalize” same sex loves, perhaps you should worry about texts that vilify or demonize love between two men or two women, which has always existed. It’s hard for me to even imagine what motivation lies behind such persecution other than some antique need for maximum regeneration of the species to swell the ranks of armies and churches. It is interesting that you use Plato to support your argument about our need to use care in what we teach our young, when Plato said that the only true type of love was that which existed between two men. Of course I disagree with Plato in this respect, as I think that the love between a man and a woman can be pretty profound, too.

I’m sure that– while gay people have appeared in previous novels of mine– Summer and July will open me to a new level of potential criticism and rejection for elements other than my ability to tell a story. I didn’t wish for this, and it doesn’t represent any kind of bravery on my part– that distinction is reserved for those who wrote about the love between members of the same sex in decades past. I’ve got a left-handed female character named Lefty in my work-in-progress, but likewise people in centuries past have fought the stigma of people who find themselves preferring using their left hands, so there is no heroism for me there, either.

Happily, though thinking ill of same sex love still exists in the world I live in, having a contract with a Big Five publisher I have learned that, generally, in the world of children’s books, publishers have moved beyond the argument. Though opposition to same sex love still exists, my editorial group does not wish to dignify such opposition with space on the page. Nobody in a middle grade book written by me and published by my publisher is going to look askance at two girls or two boys falling for each other.

For me It was easy to make the “normal” heterosexual choice. Girls and women have always been attractive and fascinating to me. Though I didn’t set out to write a story featuring a same-sex love, the idea that maybe some kid will fail to kill him or herself because I didn’t resist presenting a story in which affection and romantic love between two members of the same sex is pretty much the most adorable love story ever– I’ve got to say I like the idea of being on that side of the equation, and of history. And all I have to do is let the characters be who they are. Take them as they are, and love them as they came to me. I hope you’ll consider this position.


Want more from Paul? You can check out his books on Goodreads HERE.

Find Paul on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew with the express permission of Paul Mosier.

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Ten Things That Help Me Write

By Bethany Wicker

Just like any other author, I have my needs while writing. It’s easy to just sit down and start writing, but these ten things help my thoughts flow and the stories progress.

The first item is my Computer. This is for the most obvious reason that all of my stories are on my computer. My biggest fear is dropping it before I’ve backed up my work, so I try to leave it in one place as often as possible. This actually happened to me once before and is the reason it took so long for me to write Dark Fire after Dark Lightning was published. I’d lost my initial copy and felt so upset that I couldn’t write on it until about a year later.

The second thing is Coffee. I don’t always have to drink it while writing as long as I’ve had my morning cup. Coffee is something I love, but sometimes if I indulge in more than one cup it keeps me up at night. For that reason, I try to limit myself (doesn’t always happen).

The third item is my Phone. I’m a compulsive email-checker and am always checking my email. I have this irrational fear that I’m going to miss out on something because I didn’t check my email in time.

The fourth thing is a Notebook. This is simply to write down ideas that I’m not ready to work on or to keep notes of things that I sometimes forget. The color of eyes or hair of minor characters for example.

The fifth item is a Pen. This is needed to jot things in my notebook. 😛 I like the way pen ink looks on paper better than pencils so it’s rare that I use pencil over pen. Extremely rare.

The sixth thing is a Movie I’ve already seen playing in the background. I do this instead of playing music like other authors. It’s my personal preference that helps me concentrate. Lately, I’ve been stuck on the new Beauty and the Beast.

The seventh item is Snacks (Yum!). Who doesn’t need that little boost of energy while doing something? No particular type of snack either because it depends on what I’m in the mood for.

The eighth thing is Water. It’s very important to drink lots of water and stay hydrated throughout the day. I avoid soft drinks and try to stick to water as much as possible. It just makes me feel better, healthier and helps my brain keep going.

The ninth item is my Planner. That way I can keep track of tasks like deadlines or promotions and can add things as they’re needed.

The tenth and final thing is Henley napping ❤ (my daughter). It is so hard to write while she’s awake since she needs so much attention, especially now that she’s teething. So, as much as I love her, I get the best writing time in while she’s sleeping.

There you have it. The ten things that help me write the most words in one sitting.


Don’t forget to check out our other posts HERE

See Bethany Wicker at the Young Adult Author Rendezvous HERE.

Posted by Michelle Lynn.

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An Interview In Pictures with Bethany Wicker

By: Michelle Lynn

Today’s interview is with the talented young adult author Bethany Wicker. She writes paranormal stories – werewolves are her jam and her next book has MERMAIDS! I’m a little excited for that one.

A picture is worth a thousand words. So, here’s the drill. I asked Bethany ten questions and she answered in only pictures. It’s a lot of fun so let’s get started.

What image best represents you?

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

Show me a picture that could have been taken inside the world of one of your books.

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

Your favorite writing spot.

Author Bethany Wicker

Writing companion.

Author Bethany Wicker

Favorite book.

Author Bethany Wicker

Your Bookshelf.

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

Something you love outside writing or reading.

Author Bethany Wicker

Favorite place.

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

Something that makes you smile.

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

Something that inspires you.

author Bethany Wicker, paranormal romance, werewolves, time travel, writing, interview

From Bethany:

I am a small town wife, mother, and author who loves to read and am in the process of stocking up for my own mini library.

Ways to discover your next favorite author:

Amazon author page link: https://www.amazon.com/Bethany-Wicker/e/B0164MBKQ0
Facebook link: https://www.facebook.com/BethanyWickerAuthor/
Author website link: www.bethanywicker.com


See Bethany at the Young Adult Author Rendezvous HERE.

Check out more from the Young Adult Author Rendezvous HERE.

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How I Got an Agent

writing, authors, agent signing

By Christopher Mannino

I have been writing for a long time. Heck, I’ve wanted to be a writer since middle school. I’ve been writing ever since.

The very first book I wrote took ten years. It’s a mess. You’ve never heard of it. It’s shelved on a floppy disk (remember those?) among other places but was never revisited.

Then, during my time in Oxford, I was inspired to write School of Deaths. It took me a year to write, and then I began trying for agents. In publishing, if you want your book published with the big publishers, distributed widely, and making money, you need an agent. The “Big Five” publishers (all subdivisions of just five companies) only take manuscripts from agents, and even then it’s not always a guarantee of publication, much less success. Yet agents are the first gatekeepers in the business.

Getting an agent involves writing a query letter. This is a single page long- a blurb about your book, a paragraph about similar books in the marketplace, and a paragraph about you. It’s an email you send out and know you’ll probably never hear back from. Some agents ask for just this, some for your first five pages. Most agents receive hundreds of email queries a DAY. Of those they receive, they might request pages from 5%, and of those pages, maybe request a full manuscript from an even smaller number. And it’s not just based on the quality of your writing. It’s based on a lot of subjective factors, like the agent’s preferences, if they think they can sell it, does it conflict with other clients they have, and so on. In short, getting an agent is very, very difficult. It feels a bit like falling through mid-air and trying to catch (and hold onto) a single raindrop.

authors, writing, agent signing

After a year of querying, and 130 rejections, I gave up trying to find an agent for School of Deaths. Instead I began querying small presses. 30 queries of publishers later, MuseItUp said yes.

Small press is a form of traditional publishing in between the big guys and self publishing. In a way, it’s sort of like the minor league baseball league. Minor leaguers are pros, and paid to play ball, and some are amazing, but you’ve never heard of them. They’re all hoping to make it into the majors, but to do so they need that scout. With writing, you need an agent.

After Scythe Wielder’s Secret I wrote a sci fi thriller and re-entered the querying phase. Months passed. Nada. I’ve since decided to rework the project.

Then, I had an idea for a book. A series. The ideas kept coming and coming. A world that’d been in night for a thousand years, and now faced a sunrise. A man with a powerful form of magic, and a terrible price. An exciting new fantasy series called Everdawn Rising. I wrote the book, and right away knew something was different. It was without a doubt the best thing I’d written. I decided, yet again, to plunge back into querying. Querying is a SLOW process, I’ll add. Some agents have an AVERAGE response time of 115 days. That’s just to hear back, even if it’s a no. And if they request pages or your full manuscript, you have to wait months upon months.

authors, writing, agent signing

I began querying Everdawn in January. I queried and queried. I became active in the Manuscript Academy, which gave me a lot of opportunities to work with pros. I had skype sessions with agents and not only pitched my book, but got help rewriting my query. I was in a workshop to help revamp my first page and ended up a part of a writing community that’s still wonderfully supportive today. And I worked with editors from St Martins and Tor (two imprints of the “Big 5” publishers) to rewrite the beginning completely. On the advice of an agent, I began “re-querying” – contacting agents who said no months ago or who never responded. I was hopeful, but still not sure. I was ready to enter PitchWars when everything took off.

authors, writing, agent signing

First I got an offer from an agent. I then had to let my outstanding (hadn’t heard from them yet) requeries know. Within hours, I had six more full requests. I eventually got a second offer and it came down to an insane day of phone conversations, nerves, and difficult decisions. After talking to the two agents, however, I knew the original offer was the agent I wanted to stick with.

I am elated to announce that I am now represented by Will Reeve at the Virginia Kidd Literary Agency. Kidd is a smaller agency, but one with an impressive track record in SFF, launching the careers of greats like Isaac Asimov and Ursula LeGuin. This is only one stage in a longer journey. The next step is for Will to work with me editing the book, then he’ll take the manuscript to the publishers and try to sell it to them. Even then, it’s a while before it releases. However, this is a huge step for me and my career as an author.

authors, writing, agent signing


Don’t forget to check out our other posts HERE.

Find Christopher Mannino at the Young Adult Author Rendezvous HERE.

Posted by Michelle Lynn.

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Writing an Outline for Your Book

Writing an Outline for Your Book by Author Shari L. Tapscott

Outlining—you either love it or hate it. I happen to love it, and I’m going to share my approach with you today.

When I was in school, outlining felt suffocating. It was like death to creativity. Nothing irked me more than a free writing assignment that required an outline—and I usually wrote one after the fact (not exactly what my teachers had in mind, I’m sure). Years later, when I was attempting my first NaNoWriMo, I decided I needed some sort of strategy to get my word count in. I wrote the major points of my book in three paragraphs and called it good. And it was pretty good. I knew the main events and the ending, and it helped a bunch. But at the end of November, my manuscript was still a mess. I knew I could do better.

Fast-forward a couple more years, and now I proudly call myself an obsessive outliner. I use a mishmash of techniques that I’ve tweaked to fit my style. Before I begin to explain how I do it, I want to say that I don’t think there’s a right or wrong way to outline—you need to do whatever feels good to you. And if that means pantsing it (writing by the seat of your pants), then do it! This is just what works for me. I hope it’ll help you as well.

Sum up your idea

First, I start by summing up my story into one paragraph. What’s it about? Who are the characters? How does it end?

Divide the idea into four parts

After that, I divide my idea into four parts and write a summary paragraph for each section, making sure to end the first three sections in conflict. I like to have something inconvenient happen to my character at the quarter mark and halfway through the book. The climax hits about three-quarters of the way through, and then the last quarter is for overcoming the problem and wrapping up the story.

Expand the sections into chapters

There are several ways you can go from this point. You have your story’s skeleton—you can start writing, if you want. Some writers will go on to expand these paragraphs into a page or two. Others may take it a step further and begin chapter outlines. That’s what I like to do.

I decide how many words is ideal for my novel. Then I decide how many chapters I want. For an 80,000 word novel, I’ll usually shoot for thirty. I like to write in short chapters, and that puts me at just under 2,700 words in each.  You can have shorter chapters; you can longer ones. It’s completely up to you, and they’re bound to change as you’re writing.

Since I know I need my conflict at 1/4, 1/2, and 3/4 of the way through the story, those are the first chapters I fill in. For example, for my 80,000 word novel, I will have the 1/4 conflict at 20,000 words, which will fall in Chapter 7.

After I have my conflict in place, I begin to fill in each chapter. These little summaries don’t have to be long. I write a paragraph for each. Often, I will find I don’t have quite enough story points to fill them all in, and I brainstorm for ideas until I have a story that flows from beginning to end.

Now, as I’m writing my book, things often change. I’ll just go back and tweak my outline as needed. Sometimes one of my chapters will end up as two chapters. Other times two chapters may merge into one. Nothing is set in stone. The outline just keeps me moving toward the conflict.

After that, I begin to write! That’s really all there is to it. During my planning stages, I also like to fill out character and setting questionnaires. They really help if you’re stuck in the development stage; you’re bound to get new ideas when you’re working on them.

Whether you choose to outline or not, I hope this was useful for you! Also, if you have your own technique, be sure to add it in the comments. I love to hear how other people tackle the pre-writing stage.


Want more from Shari? You can check out her books on Goodreads HERE.

Find Shari on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew with the express permission of Shari L. Tapscott.

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Tools of the Trade

First posted at Young Adult Books Central.

By Michelle Lynn

A painter has their paint brush. A sculptor has their clay. What does this have to do with indie publishing? Just like that painter and that sculptor, a writer is an artist. Artists create. They create beauty, tragedy, the illusion of reality. They show us how things are and how things should be.

As creators, we must use what is available to us – tools of the trade. A lot of this can be said for both indie published authors and traditionally published ones. No matter the size of the publishing house you have behind you, there are certain things you must do for yourself. Writing, for example.

Still, there are some tools that will be used more by indies who must make their own advertising graphics, choose their own Amazon key words, and handle their own marketing. I’ve listed seven of my favorite “brushes” for our form of artistry.

  1. ScrivenerEvery author no matter their publishing path can benefit from this tool and that’s why it’s at the top of my list. It isn’t free, but it is very affordable. Scrivener is a writing program. It’s used in the same way many people use Word, but there are benefits. It’s a bit more stripped down than Word, simple and easy to use. The best part about it is the way it organizes your book. These novels we write can reach into the hundreds of word pages. Have you ever forgotten something you wrote and had to scroll through the entire document to find it? In Scrivener, documents are divided into chapters that you can name and move around at will. They also provide character building templates so you never again have to wonder what color eyes you gave a character in some previous chapter.
  2. Canva Photoshop is expensive and kind of confusing if you ask me. Canva is an online tool that allows you to import images (or buy stock photos from them) and manipulate them, changing colors and adding text, to create ads or promotional images. It’s easy to use even for an image illiterate like myself. I’d be lost without canva.
  3. KDP RocketAre you wanting to write a book that has a jump start in popularity? This is called writing to market and many indie authors are doing it. KDP Rocket is a program that helps identify trends and fads in the marketplace to allow you to jump on board. That’s only one of its many features. It can also help determine which keywords would give your book the largest boost. And have you ever wondered about the kind of money certain books are bringing in? Now you can see exactly how each book in the Amazon marketplace is doing to help you decide which genre you’d like to jump into. It can be fun. The program isn’t free, but it can be worth it for indie published/ self-published authors.
  4. Social media management programs – there are many of these including Buffer andHootsuite. As authors, we’re expected to maintain a presence on so many different platforms that if we aren’t careful, all of our valuable writing time will be sucked away. These programs streamline social media. They allow you to post the same thing across different platforms with a few clicks. You can plan ahead, down to the minute, your posts to Facebook and Twitter. I can schedule an entire month’s worth of posts in about an hour. The small fee is incredibly worth it.
  5. The Emotion Thesaurus – Really, I could put the entire series and the connected website here. The Emotion Thesaurus is a book that has a page dedicated to any emotion you can imagine and describes things like body language of feelings associated with it. The series also contains books for character traits and settings. The website connected to the books is called Writers Helping Writers and has more resources in one place than you can even imagine.
  6. Calibre A completely free ebook management program that I always find some use for. As an indie, you will most likely be sending out your own review copies. Calibre allows you to convert them to any format that is requested from you so they can be read on any device. This has been helpful to me because I also help other authors by reading their work. Many of them send it in Doc format which doesn’t read so well on my Kindle. Instead of having to read on my computer, I can easily convert it to the format I need.
  7. Bookfunnel (or Instafreebie) – Do you send out review copies to your advance team? Do you give away ebooks in large giveaways? Whenever you need to send a book, wouldn’t it be easier to just send a link and then have the reader download the book on any device they prefer? That’s what these sites allow. They also let you collect emails of the people who download your book which is invaluable if you’re focused on building a large Newsletter (which you  should be).

There are so many great resources for writers out there and with the rapidly growing indie publishing industry, more are popping up all the time. None of these replace the best resource available, though. Other authors will forever be the best source of marketing advice and support as well as critiques and cross-author promotions.

The tools are out there to make a go of it in this industry. The biggest thing I’ve learned is to never be afraid to try the new ones that come along. Experiment, see what works for you. Don’t be afraid of technology and never ever think social media is a waste of time. In the crowded market, we need to be everywhere. We must make it as easy as possible for readers to see us and get ahold of our books. As indies, we don’t have the huge teams behind us, but in today’s world, some successful authors are finding they don’t need them.


Don’t forget to check out our other posts HERE.

See Michelle at the Young Adult Author Rendezvous HERE.

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Conflict in Writing

Conflict in Writing by Author Beth Rodgers

Conflict sells. Whether you are reading a book, watching TV, or viewing a movie, if everything is happy-go-lucky all the time, there isn’t much reason to keep reading or watching as you probably aren’t wondering what will happen next. People thrive off of twists and turns. They want mystery, suspense, and indecision. They desire friction, as it escalates plotlines, enhances character development, and reinforces the age-old quest for sheer entertainment. We live in an “entertainment culture,” if I do say so myself. People seek entertainment because it stimulates their senses. It excites their emotions, and it offers something in place of predictability.

Despite the wish for a happy ending – and believe me, I ooh and aah with the best of them for one of those – trials, tribulations, and all those annoying adversaries must come out of the woodwork to make that happy ending all the more magical. If you’re a writer, spice up your stories with it. Make a young girl the object of ridicule and rejection, only to make her all the more deserving of being crowned homecoming queen. Capture the angst of a restaurant owner who can’t seem to drum up any business until a famous celebrity eats there one day and publicizes the homemade apple pie as the best he’s ever tasted. Every story you’ve read, movie you’ve seen, or TV show you’ve watched, if it is any good, has some sort of conflict in it. Even if you don’t notice it at first glance, look again – it is there. Someone may have a problem with someone else. It may be a squabble at the cash register about the price of cereal. A fight may break out as a result. There are so many options. Use them as a guide to crafting your own.

Writers seek involvement with the subject matter they are reading. So too should readers. It is important that readers know how to pinpoint what the conflict is, when it started, where it escalated, and how it ended. This will make the reading journey all that much more enjoyable and profound so that when you move on to other works, you can appreciate them all the more for the conflict that interests and fuels your reading desire.

Freshman Fourteen by Beth RodgersMy novel, ‘Freshman Fourteen,’ incorporates a lot of conflict early on especially, as I felt it quite necessary to make main character Margot’s journey through freshman year as difficult as possible at the start. In my mind, that would make her that much more worthy of going through the journey to get past all of the troubles she had. They serve to make her a stronger, more purposeful character.

Anything can be construed as conflict. Even writer’s block (or reader’s block, when you don’t know what to pick as your next read) is a conflict. Use the examples above to resolve this and master your own writing and reading techniques.


Want more from Beth? You can check out her books on Goodreads HERE.

Find Beth on the YA Author Rendezvous site HERE.

This was posted by Lauren Mayhew with the express permission of Beth Rodgers.

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Marked by Fate

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Defined by Their Choices

A collection of 25 Fantasy and Science Fiction YA coming of age novels from New York Times, USA Today, International, Amazon bestselling and Award-Winning authors!!

This action-packed boxset is filled with teen warriors who encounter queens, witches, wizards, werewolves, shifters, angels, and gods. Follow genetically engineered soldiers, cyborgs, and robots discover magical hidden fantasy worlds, encounter mind-blowing dystopian lands, space stations, and galaxies they could never have dreamed existed while traveling through time into uncharted territories. Marked by Fate to complete these deadly and dangerous quests filled with nonstop action and adventure!

iBook Preorder Link Date: https://itunes.apple.com/us/book/id1229491448

Giveaway iBooks Link: http://woobox.com/32f5tp

Marked by Fate - 3D JPG


Two members of the Young Adult Author Rendezvous have contributed to this set.

Kristin D. Van Risseghem
At the Young Adult Author Rendezvous HERE.
Her website is HERE.

Amalie Jahn
At the Young Adult Author Rendezvous HERE.
Her website is HERE.

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22 Books for $0.99

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Want to stock your e-reader full of fantasy books? Fire and Fantasy includes 22 full length novels, some from bestselling and award winning authors.

How great is that? 

Not only can you get all of these books for $0.99 during the July and August pre-order, but you can be sent TEN other awesome books to tide you over until it’s released.

Seriously?

Yes! AND there’s a giveaway with absolutely NO requirements to enter.

Click on the image below to find out how to purchase and get all of your free goodies.

BookFunnel Illustrations with instructions


Young Adult Author Rendezvous member, Michelle Lynn, is a part of this box set.

You can find her at the YA Author Rendezvous HERE.

See her online HERE.

Find her on Facebook HERE.

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Character Inspiration: Dreams

Character Inpiration: Dreams by Author Lauren Mayhew

Character Inspiration Dreams - Lauren Mayhew Author - YA Author RendezvousDreams are full of people, some that pop up more frequently than others, and some who you’re sure you’ve never even met before. But all of the dreams are created by you, and each of the people in them is a character in that scenario.

Throughout my trilogy, characters and certain events have all come to fruition because of my crazy dreams. My dreams are so weird, I’m surprised my mum hasn’t sent me to be sectioned yet. On the plus side, I can get some wicked storylines and characters from them.

For example, the villain in my books is called Duana. She appeared in a dream of mine from a long time ago, dressed head to toe in black, chasing me through a shopping centre. When I say chasing, I mean that dream chase, where I’m running for my life, and she’s walking ominously behind me. Anyway, she followed me into a charity shop, where I was hiding amongst some coats on a clothes rail. She couldn’t find me anywhere, and exited the shop. It was only when she was gone that I realised I was hiding behind the coats, in the reflection of a small mirror sitting in front of them. And that’s how Liliana was born too. Two characters in one dream.

The best thing to do after waking up from a dream, is to write it down immediately. You can’t trust that you’re going to remember it in the morning. Write it down while it’s fresh in your memory, and remember to laugh at it when you read it in the morning!

Even if a certain person in your dream has the face of someone that you know, you can change that when writing. That person doesn’t need to know they inspired the character from one of your crazy dreams. It’s a secret between you and your character.

I’d love to know if you’ve ever been inspired to write something based on a dream you’ve had. Comment below!


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted on the YAAR website with the express permission of Lauren Mayhew.

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An Interview in Pictures with Lauren Mayhew

An Interview in Pictures with Lauren Mayhew

By Michelle Lynn

You can learn a lot about a person through the things they see, the things they find important. Sometimes it is a bigger insight into their life than their words. 

So let’s look inside the mind, inside the life, of an author. I’ve asked them to answer each question with a single picture. No caption. Just an image. 

  1. A picture that you think represents who you are.

    lauren 1

    2. A real-life picture that could have been taken in the world of one of your books.

    lauren 2

  2. Do you have a writing companion (pet or child)?

    lauren 3

    4. Your favorite book of all time.

    lauren 4

  1. Your bookshelf.

    lauren 5

  2. A picture that represents something you love to do (outside of writing or reading).

    lauren 6

  1. Favorite place (Beach, mountains, city, etc.)

    lauren 7

  1. Something that makes you smile.

    lauren 8

  2. Something that inspires you.

    lauren 9

 

From Lauren: I’m a twenty-four year old dreamer from England, with a passion for the written word – I hope you enjoy the worlds that I have created for your enjoyment.


Lauren is a talented Young Adult author and can be found in many places:

Amazon
Facebook
Website

YA Author Rendezvous

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Character Inspiration: People You Know

Character Inpiration: People You Know by Author Lauren Mayhew

Character Inspiration People You Know - Lauren Mayhew Author - YA Author RendezvousThis one may seem obvious, but I think it’s worth writing about. You don’t have to copy someone that you know completely, as that may be a bit too obvious if they ever pick your book up, but you can take certain traits from them.

For example, my first book ‘Reality is in a Dream’ has two characters that are exaggerated forms of two of my old school friends. Certain events that take place in the book involving the main character, Liliana, actually took place during my time at school. It’s quite funny, because I once had a reviewer tell me that she thought these character’s actions were not believable, and yet it actually happened to me.

Obviously, you don’t need to take their names, you don’t want anyone to be offended, especially if the character is one of the villains, but certain things that they may have said, or small mannerisms are a great way to begin the development of a character.

“Write what you know.” – Mark Twain. In the case of characters, I feel this to be true. It’s much easier to write about someone that you know, rather than starting a character from scratch. If you’ve been bullied in the past, use that bully to write a character with an unsavoury nature. If someone has said something that made you feel happy, use it. It’s as simple as that.

Many authors take reference from people that they’ve encountered in real life, and use them to create some of the best characters ever written. For example, Hermione Granger is based on J.K. Rowling. Rowling herself admitted that she was so like Hermione in school, and so she put a little of herself into the Harry Potter world.

You’ll be surprised how quickly a character can blossom into something you didn’t expect, taking your story places you never thought it could go. You may start off being inspired by somebody that you know, or at least knew a long time ago, but they’ll usually end up being completely different by the last page.


Want more from Lauren? You can check out her books on Goodreads HERE.

Find Lauren on the YA Author Rendezvous site HERE.

This was posted on the YAAR website with the express permission of Lauren Mayhew.

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